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Literature Text
Observe.
This is how women walk away.
In broken heels
and secondhand jackets,
cigarette smoke in their hair
and no kiss goodbye.
Do not mock.
It is what it should be.
A girl in a car,
hanging a u-turn
on a glistening, empty street.
Her body is a road to be traveled.
A shipwreck to be plundered.
She does not know how she got here,
and she does not care.
And it does not matter.
This is how women smile.
Knowing, secretive,
though her cheeks are sore.
Though the wind
is blowing right through her clothes.
Though there is no good music
on the radio, and no food
in the refrigerator.
This is just an impression.
An idea of nirvana.
A slice of real, live ecstasy.
But do not give it a name.
Just show it, wear it like
designer jeans.
Tight against the skin.
She is ivory, she is easy,
and it is not love.
It is something better,
fermenting at the
backs of her knees.
Flooring her.
Bleeding from her fingerprints.
It is a devastation,
seven ways from Sunday,
but that is how she likes it.
It cannot hurt.
It cannot strike bone.
She's been looking too long
for something to save her,
turning over stones,
emptying her pockets.
And all she really needed
was a quiet space in which to
cast down her roots
and lay siege to her doubts.
Observe.
This is how women are reborn.
With simplicity,
with awareness running deep
as iron in the earth.
With dry lips
and liquid limbs.
With tangling her body up
and losing track of time,
her clothes,
her mind.
But never her heart.
This is what is important.
In the end, it is not about love.
It is about satisfaction.
She cannot have both,
so she chooses the latter.
Do not judge.
She is resting easier
than she has in years.
This is how women walk away.
In broken heels
and secondhand jackets,
cigarette smoke in their hair
and no kiss goodbye.
Do not mock.
It is what it should be.
A girl in a car,
hanging a u-turn
on a glistening, empty street.
Her body is a road to be traveled.
A shipwreck to be plundered.
She does not know how she got here,
and she does not care.
And it does not matter.
This is how women smile.
Knowing, secretive,
though her cheeks are sore.
Though the wind
is blowing right through her clothes.
Though there is no good music
on the radio, and no food
in the refrigerator.
This is just an impression.
An idea of nirvana.
A slice of real, live ecstasy.
But do not give it a name.
Just show it, wear it like
designer jeans.
Tight against the skin.
She is ivory, she is easy,
and it is not love.
It is something better,
fermenting at the
backs of her knees.
Flooring her.
Bleeding from her fingerprints.
It is a devastation,
seven ways from Sunday,
but that is how she likes it.
It cannot hurt.
It cannot strike bone.
She's been looking too long
for something to save her,
turning over stones,
emptying her pockets.
And all she really needed
was a quiet space in which to
cast down her roots
and lay siege to her doubts.
Observe.
This is how women are reborn.
With simplicity,
with awareness running deep
as iron in the earth.
With dry lips
and liquid limbs.
With tangling her body up
and losing track of time,
her clothes,
her mind.
But never her heart.
This is what is important.
In the end, it is not about love.
It is about satisfaction.
She cannot have both,
so she chooses the latter.
Do not judge.
She is resting easier
than she has in years.
Literature
Metastasis
98.00
Autumn is the season when everything dies.
The leaves shrivel up and your lungs go with them, tiny dejected organs drying out inside your sternum, crinkling under our footsteps. The doctors pronounce their diagnosis as the leaves fall, listing medical terms and percentages and something about medication options.
The disease is metastatic: it has bored its way out of your lungs and into your bones. Dissatisfied, it's going for your organs, your liver, your heart. The prognosis says Christmas is a pipe dream, likely as the sun ceasing to set.
You promise it anyway.
94.00
November comes and I am a fish, breathing through makeshift gi
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Delilah
What everyone knows about Delilah is that she's gorgeous. She's tiny and permanently pre-teen in appearance, with cartoon-big eyes and perfect skin. Her body is immaculate; she runs around the lake every morning, ear buds jammed in, tiny feet pounding furiously as she runs almost impossibly fast. Everyone knows she knots feathers in her hair, ties them to her clothing, hangs them from her rearview mirror. She's childlike, with her tiny wrists and her wide sad eyes, and so everyone touches her head or pulls her to their body or picks her up and dumps her over their shoulder, which makes her shriek and giggle but I know it also makes her a litt
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Bravery
On Saturday the twenty-first of January, Elliot took a gun, pressed it to the strip of bone between his eyes, and shot himself. The bullet shattered the frontal bone of his skull, warping his features past recognition, and burrowed through his pre-frontal cortex into the midbrain. He died before the sound stopped echoing through his empty apartment.
This story isn't about that.
I worked with Elliot for only a little while—less than six months. Most of what I knew about him came from his desk. Unlike the smaller ones the secretaries and other reporters had, it was a stately, imposing thing. It would've been terrifying, especially to a
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Believe me when I say, I had forgotten how happiness feels. But I have it back now, and I'm humming with it.
Wrote this in about five minutes. I feel like the ending is weak. Thoughts?
EDIT: Oh my oh my oh my oh myyy. A DD? For me??? You cannot imagine, my lovelies, how much this absolutely made my day! Thank you thank you thank you!
Wrote this in about five minutes. I feel like the ending is weak. Thoughts?
EDIT: Oh my oh my oh my oh myyy. A DD? For me??? You cannot imagine, my lovelies, how much this absolutely made my day! Thank you thank you thank you!
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I feel this is very accurate Very empathetic, thanks!!